Norwegian Music
Sitting in the hotel (right next to Herr Nielsen's Jazz Club) last night in Oslo I realised that the music I was listening to on my laptop was just track after track of Norwegian music. There was Beady Belle, then Thomas Dybdahl (try Damn Heart or Half Of Me, both free B-sides, and my absolute favourite single Love Story), then Ane Brun - and that's ignoring nearby Scandinavians like Teitur and Tina Dico (try this. Wonder how I'd missed the connection for so long?
Update: As Walter points out, I forgot the most obvious musician (and the one who features largest in my collection), Jan Garbarek.
Amazing Grace Another free taster has done its work and I've now got Grace Potter and the Nocturnals on rotation, specifically their album This Is Somewhere [UK]. The free track that hooked me is only free until tomorrow so you'd better pounce - Apologies, a lost-love ballad that is among the quietest tracks.
Despite the samples Amazon has chosen, the rest of the album is much more rocky, with the sort of hard edge that the sparse historic line of female rockers would be proud of. If you do buy the album, you might also want to pop over to iTunes and buy the bonus track they have over there, despite the DRM grief they want to give you.
In Praise of Freeloaders
I think I'll be going along to listen to Bryn Haworth tonight locally, a guitarist I've not heard live since the early 80s. The friend I was talking with wanted to know what he sounded like, so I went to his web site to look for a sampler. Nothing there. Bryn is clearly only interested in people who already know what he sounds like. No free sample track. Not even any track previews.
So conversation turned to the paradox of the new web-mediated market and how some musicians don't seem to get it. I assume the thinking goes "I make my money by selling music, so why should I give any away to freeloaders". But that's so superficial. By giving me a few tracks to listen to, you're much more likely to recruit me to the ranks of admiring fans, since without them all I have to go on is your photograph (or maybe if you're a bit more avant garde some stuff I can awkwardly stream while at my desk).
Giving away samples is very effective. I follow a couple of web sites (3Hive, Lost at E Minor) that review and point to free tracks and the main way I have found new artists of late has been through those sites and the free tracks on iTMS and Amazon MP3. In the shake-down that's coming, I suspect it will be the artists who treat music lovers looking for music as "freeloaders" who will join the RIAA whining about how no-one loves them, while the enlightened part of the industry moves into the new mainstream.
The Guggenheim Grotto I'm not sure what drew my attention back to them, but I bought an album (for the benefit of those who have been asking that's a useful archaic term for "a collection of related MP3s grouped under a fanciful name") by The Guggenheim Grotto, an Irish acoustic/folk band with a talent for both lyrics and melodies. I'd first picked up their track Told You So off the 2006 SXSW sampler and then Philosophia showed up as a free song on iTMS US. That second track finally got to me and I decided to get the whole album, Waltzing Alone (that's Amazon MP3 and US-only, but Amazon UK has the CD).
There's a lot of Oasis sound in there, but it's generally more accessible and laid back (and, yes, I suppose, OK, I admit it, melancholic) as well as heading deep into folk sounds (try Rosanna). 'Philosophia' is still a stand-out, but several others are already sticking including the thoughtful Koan and the fascinating close harmonies of Ozymandias which is indeed derived from the Shelley poem. On continuous play and recommended - the free EP on their download page is great and they have even got ready-to-use free ringtones there.
I ran into Wax Poetic the first time when I found they were the band that Norah Jones started with before she was famous, but this newer stuff is much more international - like a raw Les Nubians with a jazz break. Give the Last.FM embed above a try.
By the way, if you'd looked at their 2003 album Nublu Sessions on iTMS and wondered what the missing track 1 was, it's there on Amazon with no DRM. Turns out it's a fantastic pre-fame Norah Jones track called Tell Me.
[Fixed the post time on this one, it was set in the past for some reason]
I expect I am the last person in Britain to find Kosheen, but I saw a replay of the "Later..." appearance they made in 2001 and immediately had to go hunting for their music. Fortunately their latest album Damage is there on Amazon MP3 so I'm already luxuriating to stuff like Overkill (that's the embedded Last.FM video above) as well as working my way through their large channel on YouTube. It's the best of Massive Attack with a pinch of Evanescence and a healthy dose of Depeche Mode. Tasty, it's keeping the windows rattling.
Fink
OK, I could get into this Last.FM video thing. I have really been enjoying this week's free track on iTunes UK, "This is the thing" by Fink (not free in iTMS US, sorry). It's just so laid back and delicious. Turns out the video is there on Last.FM - here it is. Love it.
Last Video
I noticed a few weeks ago that Last.FM had added a video tab to all the artist pages, but I couldn't find any. Today I got some promo-spam from them pointing to a few videos. It turns out there's some pretty good stuff hanging around on there - best so far is this one from KT Tunstall.
More Feist
Still enjoying using Amazon MP3 (you'll need to use a US delivery address to buy stuff). Today I finally got round to buying Leslie Feist's The Reminder. I'm not sure that the single, 1234, is the best track on the album. It all sounds rather like Let It Die (try Secret Heart or Mushaboom), which in my view is a good thing, but if you're trying her out for the first time you'll only want one of those albums.
They are selling current chart music in the US at 89¢ per track (cheaper albums too), and delivering it directly into iTunes in MP3 format. And just to add insult to injury, they let me test the service with a free track from "The Apples in Stereo", as if to ask why iTMS is still in mono and offering less for more.
Argentine Magic
The sample tracks finally managed to displace A Fine Frenzy from continuous play, so I gave in and bought not one but two albums by Juana Molina. I really liked the three free tracks from Son [UK|US|iTMS] and I previewed the rest of the album on iTunes. It's clear she is getting more experimental over time, and several tracks on Son will be challengingly avante-garde to some ears, not least the title track. But I adore La Verdad as well as Rio Seco.
By contrast, her previous album Tres Cosas [UK|US|iTMS] is hypnotic and soothing. The title track is especially good.
This is all just the sound that's wooing me - I still have no idea what any of the songs is about. I'll have to beg Ana to translate for me!
Juana Molina
I have been following a site called Lost At E Minor for a while now. They have an eclectic mix of art and music on there, often with an antipodean slant that means there's frequently material I don't see on places like 3Hive.
Today they had an excellent pointer to Juana Molina, an Argentinian actress and musician who weaves magical soundscapes with voice and instruments. Her breathy and ethereal voice is accompanied by loops she creates with various instruments. The sound her one-woman-orchestra builds is sufficiently avant garde to be edgy, yet has sufficient melody and gentleness to be beautiful. If only I spoke Spanish. Her new album, Son may well be in my future...
The track they have posted is wonderful, and I quickly snapped across to her own site and found a bounty of richness. There are an additional eight tracks on the Download page. Go explore, especially the videos - I just wish I was going to São Paulo on October 4 so I could go to the concert there.
A Fine Frenzy
Just a quick alert for those of you using iTunes US - the free track this week is really good. It's A Fine Frenzy - You Picked Me and will appeal to Feist fans among others. Go for it!
Danish Music Too - Tina Dico Live
It seems this is destined to be a Denmark-dominated week for me. This time it's not to do with OOXML and ODF though. Instead, I spotted a new album on iTunes US - an electronic-only live album by Tina Dico. If you've enjoyed the vocals on Zero 7's albums it's probably been Tina Dico you've been appreciating, but she's far more interesting than that.
She's another artist like Kate Walsh and Imogen Heap (who by the way is blogging the writing of her new album) charting her only course by self-published music rather than allowing the customer-hating, musician-abusing music industry to rip her off. I note her new EP is only available at live performances, and that she has different products on iTunes and Amazon, so she's a great example of what Dare doubts is workable.
Her album In The Red was pretty good, and this new album is a full length live album - "Live at the Copenhagen Jazzhouse". It's very simple - her gorgeous voice (perhaps a little shouty once or twice), accompanied by acoustic guitar (with splashes of electric here or there). Her songs are full of regret and the tone of the whole album is somewhat maudlin. She is well able to hold the stage just with her voice and accompaniment and overall it is a superb folk album that deserves a hearing. Unlike her EP Far there's sufficient new material here to make a current fan want to check it out too.
Genoud in Honolulu I've stopped in Honolulu on my way to JavaOne, pretty much because I could (I am using an air ticket where stops are free, and the hotel here is less than half the price the one in San Francisco is gouging out of me). I spent the day walking from Waikiki towards the town, and quickly came to the conclusion that Waikiki is not designed for a fat fortysomething married guy travelling alone. While I was walking though I did get the chance to listen to one of the new albums I've bought.
The album in question is 'Aqua' by Moncef Genoud. Yes, hardly a name that's rattling around the charts. This is another one where I got a free track from iTunes and went back for the album. It's great jazz, deliciously syncopated and melodic, with the sort of rhythms and melodies that remind me of Brubeck and Take Five. Putting it on repeat, it was all I could go not to hum along with it as I was wandering around Ala Moana shopping centre, realising that almost all the stores sell designer clothing for people other than me.
It was the title track that first hooked me, with its descending minor-key melody that runs as a motif through the whole album. Genoud improvises beautifully on piano, and he has sax and drums supporting effectively (I miss having sleeve notes). All ten tracks are long, around 8 minutes, and the confection lasted easily with only one track skipped (10) until after sunset for me in a walk on the beach watching the waves lit by the lights on the promenade. Just as bouncy Venus Hum was a good soundtrack for a Saturday morning walking towards Bondi from Sydney CBD, so Genoud provided a great soundtrack for a day even more alone in dense crowds in Honolulu.
Mais Um Lamento
I've not mentioned the iTunes US free tracks for quite a while, in the main because they have lately been so unmemorable that I've forgotten them within moments of hearing them. However, this week's 'Discovery Download' is very good, and since it's by a Brazilian singer it's topical too. The track Mais Um Lamento ("one more regret") by Céu is laid back, sultry and very Brazilian (even if it stretched my Portuguese to the limit!). If you've a US iTunes account go get it before it expires next Monday.
Kate Walsh and the Crumbling Monopoly I posted a couple of weekends ago about singer-songwriter Kate Walsh and the delicious track iTunes UK were giving away that week. I'd actually heard another of her tracks, on the SXSW showcase, and loved that one too. Try the free SXSW Showcase track, Your Song.
Those of you in the UK can go straight to iTunes as I just did and buy the whole album (it's only £4.74, amazingly ungreedy of her, almost double on plastic on Amazon). Those of you in the US can get it on the iTunes US store already too, it seems.
Turns out that this weekend she hit the new-era big time, which she deserves without a doubt - check out the clipping on her blog from The Times. No, not a number 1 single or even a number 1 album - she was top of the chart on iTunes! She has a super voice, singing hauntingly to her own guitar accompaniment (with the odd seagull added for effect). The album has many tracks I'll be playing over and over, not least that free one I linked above.
It also reveals how the music monopoly is gradually crumbling. Like Imogen Heap, who you've also read about here, she decided to start her own label rather than submit to the greed of the music industry (by the looks of it after tasting first hand how far that was going to take her). She is working incredibly hard - look at that tour schedule - but it's paying off.
You'll see in the article she was unimpressed by the industry meat market she found at SXSW Music in the US, and she stuck to her guns. The key to market access here was not talent scouts or "being signed" but iTunes and her own courage. The Music Store gave her access to a market ready to experiment and ready to buy. I'm sure she had to pay dearly to be the "free track" two weekends ago, and that aspect still sucks, but her gamble paid off.
It's the music-downloading-public that's given her this victory. The same ones who hang out on MySpace, the same ones who like to download tracks by new artists (hint to Kate: that free SXSW track could be the making of you after all and could make up for the meat market!). The same people the music industry hates and accuses of theft. Only it turns out we (as a category, probably mostly as individuals too when the price is this honest) will pay when we can for what we actually want. And the ones who won't will probably pay for a live gig. And the rest - well, who cares really once those two groups are paying at the point of value?
When we hear the RIAA and their cronies moaning about how downloads are killing their industry, they are right and we are cheering. Their greed, lack of imagination and hatred for their customers means the demand is being met not by their scheming but by the talent that's making its own way to the market through the new channels. Let's hope they stay clueless long enough for the revolution to truly take hold and build a new industry without them!
Kate Walsh
It's been a while since I've liked one of the free tracks that iTunes is giving it's UK users, but this week's track - Talk of the Town, by Kate Walsh - is pretty good, if you like female singer-songwriter-guitarist stuff (which by now you may be working out that I do - although not exclusively, James!) Worth downloading and liberating to CD.
Update Apr-9: Well, another new talent you heard here first, folks! She hit the number one spot in the iTunes UK chart this weekend - check out the clipping on her blog. I just hope she'll be performing some place near where I am soon. The more I listen to this, the more hauntingly gorgeous I find it, and the way she just beat the system and cut out all those people-hating music middle-men bodes well for the future of music. More on today's blog.
Download 3Gb of New Music
I attended last year but I'm going to miss South-by-Southwest this year, sadly, since there's no way I can get to Austin from my European commitments. I'll be vicariously attending, though, thanks to their gargantuan music showcase. I downloaded it in 2005 and 2006 and much of the music I routinely listen to was stuff I encountered in the Showcase.
The 2007 Showcase is now available and when it all finally arrives (download in progress) I am certain there will be a load of new music that I will love. It's a 3Gb directory full of music, delivered via BitTorrent. Grab it and we can compare notes.
Amazon Is Parochial
I find Amazon something of a paradox. They have some very innovative thinking in their retail business, and I find the "associates" scheme very effective (I am now using their AStore to manage three of my interests lists, on photography, books and music). Yet they have an amazing blind spot when it comes to geography.
The problem is this; the Associates schemes for each country are distinct. They have stores in many different countries and they expect me to maintain totally separate accounts on each of them. I could live with that, but it gets worse. To earn credit for a sale delivered in a country, I have to have an account in that country and I have to use the unique ID for that country in the referral. To do that, I would have to know which country the reader resides in. Amazon provides no assistance in doing this. The result is that, in the case of AStore, I need to have completely separate stores for each country. I don't bother, the return on the effort isn't worth it since my primary motivation is actually having a simple CMS rather than driving revenue anyway.
How can such an advanced company have such a huge blind-spot when it comes to the international nature of the Internet? I have readers in every country where Amazon does business, and from one page I could be gathering attention for their products in all those countries. As it is, they pretty much force me to focus just on the readers in the UK and the US. How myopic and reactionary. Come on, Amazon, get with the Web on this one.
New Booklist for a New Year
I decided that my old book-list page on Webmink was looking a bit freyed around the edges, so I have been meaning to rework it for some time. The problem is that editing HTML takes a repeated investment in time. That's the reason I use an aggregator to build my home page - it simply gathers the work I've already done elsewhere automatically rather than requiring an additional process step.
This, by the way, is the reason most club, small business and church web sites fail - because people don't factor in the effort involved in working regularly to keep things fresh. All they look at is the up-front effort and cost, cover that and then fail to budget for upkeep. It's also the reason gathering metrics for driving quality improvement in an organisation fails if the data-gathering is an additional process step. If you need a metric, measure something people have to do in order to achieve the goal, don't ask them to fill in an extra form or visit an extra web site because when the going gets tough they just won't.
This is all by way of saying that I may have found the perfect tool in Amazon AStore. You'll remember I have been using it to document my camera system - well, I think it may be the perfect mechanism for creating an attractive and useful book list as well. Take a look and let me know what you think of that and the new music list, both with comments of the length I use on del.icio.us for links.
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